Nicola Renzi

Čuoikkariššu / Mosquito Shower

Čuoikkariššu / Mosquito Shower is a sound shower invited as part of the Arctic Art Forum 2026, opening on March 7, 2026, at the Climate House of the Natural History Museum of Oslo, Norway.

Curated by Italian sound artist and ecologist Nicola Renzi together with Indigenous Sámi scholar and yoik performer Mai Britt Utsi, Čuoikkariššu / Mosquito Shower engages with AAF26’s theme of Climate Microchanges by turning attention to tiny beings with outsized ecological impact in the Arctic. “Micro” refers not only to physical size, but also to sound: a buzzing that may appear faint and minuscule, yet in its ubiquity, it shapes how tundra environments are experienced and lived.

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Changes in soundscapes often accompany — and sometimes even precede — changes in the landscape. In fragile Arctic ecosystems, even the smallest shifts matter. Mosquitoes play essential roles: they support food webs, influence animal movement, and contribute to the balance of tundra life. Today, the Arctic is warming rapidly. Mosquitoes are appearing earlier in the year, their life cycles are changing, and new species are moving north. While scientists are still learning how these transformations will affect ecosystems and biodiversity, Indigenous ecological knowledge offers insights grounded in long-term coexistence and close attention even to the microscopic change.

In the European Arctic, the Sámi Indigenous peoples have come to live with mosquitoes as part of a broader network of care across all Earth beings. Attending closely to their presence also means attending to their sound, and the stinging discomfort we commonly associate to these insect’s buzzing for some Sámi may be heard as a beautiful yoik melody.

With Čuoikkariššu / Mosquito Shower, Nicola Renzi and Mai Britt Utsi invite audiences to listen with care. And if one stops long enough, a melody will appear.

At the end of this page you will find a list of articles and other references that dialogue with the installation's theme.

Could you hear a melody in the sound shower?

If not, try listening to Mai Britt Utsi’s Mosquito Joik linked below, then step back under the sound shower

The poem (with notes)

Nu unni, ja dan fápmu nu stuoris.
So small, and yet so powerful.
Sápmelačča buoremus biigá,
Sámi’s most faithful helper,
son láidesta, ja dat biekka bárdni son
a herder of reindeer,
vuojeha ealu.
a child of the wind.
Dat lea luonddu oassi.
It is essential to nature.
Jus ii čuike,
If it does not come in its season,
de eai boađe geasi buorit.
nothing good follows.
De eai boađe báhkat, liekkas, mii šaddada
No warm weather, no berries,
murjjiid, ja biepmá gulliid ja lottiid.
no food for fish or birds.
Muhto go dat guđaidit,
But when so many are around,
de luondu ealáska fas.
the land comes alive again.
Mii eat liiko, go son
We do not always appreciate it
boahtá lahka min bealljemáddaga.
when they find their way into one’s ears.
Muhto jus don guldalat dárkilit,
But if you listen carefully,
de beasat gullat ollu luđiid su jienas.
you can hear a lot of melodies in it.

Field recording

The recordings featured in the shower were collected in the Kautokeino municipality, Sápmi/Northern Norway. Govddaluovttafávli is a boggy terrain located about 10 km northwest of the Sámi town of Guovdageaidnu. In summer, shallow, stagnant waters create ideal breeding conditions for thousands of mosquitoes. In winter, the landscape is covered by a thick layer of ice and snow, beneath which mosquito eggs remain dormant until the spring thaw. The terrain is marked by low tundra vegetation and soft turf that, in the warm season, glows in vivid colours among cloudberry plants and cottongrass.

For these recordings, Nicola Renzi used a matched pair of omnidirectional microphones (Primo EM272) attached to a mosquito head net at ear level, as shown in the gif below. This setup allows the playback to closely simulate his own hearing at the moment of recording, as dense clouds of mosquitoes gathered around his head, piercing through the mesh in an attempt to feed on his ears.

Field recording setup: microphones on mosquito head net

Further readings

The installation and the research that informs it draw on a transdisciplinary range of texts and media. A short curated selection is presented below, spanning public science contributions and academic articles. Together, these sources provide further context for the ecological and cultural questions explored in the work.

Scientific articles

Newspaper articles and public media

Mosquito Hearing

College of Agriculture and Life Sciences (CALS), Cornell University
Ronald Hoy & CALS
2009 • Mar 9, 2009
public science bioacoustics

Acknowledgements

This work was made possible thanks to the support and collaboration of the following partners and institutions.

Partner 1 logo Partner 2 logo Partner 3 logo Partner 4 logo Partner 5 logo Partner 6 logo Partner 7 logo
Research Council of Finland funded Centre of Excellence of Multibeing Justice in Indigenous Societies (funding decision no. 374226)
Did you know? 🦟

When male and female mosquitoes mate, they adjust their wingbeats to match each other. But they do not do so at their fundamental tone (♂ ~600 Hz / ♀ 300–550 Hz). Instead, they meet at a shared frequency around 1200 Hz — way beyond their hearing range.

What emerges in flight is a brief yet precise harmonic alignment: a microscopic duet crucial for swarm formation and mating rituals.

Close-up of mosquitoes mating